The slave is lying on the high bench, ready to be the seat for Yvette.
So she sits foreward on his face, mostly with all her weight, because the bench is so high,
that her feet nearly don't reach the floor, means they are mostly in the air and the hole weight is pressing on his face.
Then she turns around and sits reverse, his nose deep in her ass-crack!
The slave is on a bench, Katrin enters the scene, says "Hello" and immediatly, without waiting an answer she sits down on his face....
No air-supply > No answer ;-)
She plays with him a breath-control-game, he must train to be without oxgen and heavy load on his face.
She changes positions, and sometmes she gives him a break, when she moves on his chest or throat...
A breathing-break with 160 lbs on the windpipe... not realy easy to breath, but fun for sit on a gasping pice of furniture ;-)
Lady Talina has a new idea, how to play with her slave's oxygen supply. She put him in a rubbermade vakuumbed, it seals him completely from the air, there is only one little hole for breath. Then she evacuate the hole bag with the slave inside, you can see how the rubber presses on his body..... but not enough, she can cut off his last airsupply, the little hole, with sitting on it.
Re-edited clips from DVD
In the first part of this movie, Jill Diamond dominats her slave alone.
Because there is no cushion on the bench, she orders him to lie on the swinging bench instead of the cushion for more comfortable sitting for her.
Once on top of him she treatens him with facesitting, bodysitting, trampling and spitting.
Mainly she sits in different ways on his face.
Rosie uses her slave on the high bench as her saddle, while she reads a magazin.
The bench is high, she can sit like on a horse, sometimes she lifts her feet off the ground and sits with al her weigh on his face.
Becaause he struggles when he runs out of air, she changes her place, sits sideward and foreward, only for change again to reverrse.
Sitting like on a horse is the best for applieing most possible weight (and pain)